Photographing a Woman
Here the key light is a
window to the right of the female subject. The process of posing a woman starts
also starts with the feet, by putting one forward and shifting the weight of the
one in the rear. A woman looks naturally feminine with her shoulder pointing
towards the camera with her head turned and tipped towards it. Either the right
or left shoulder can be placed closest to the camera with the head posed turned
and tipped to either one. The lighting on the face will be identical, but the
light on her clothing and its appearance will differ as will the side of her
face shown in a 2/3 view.
If the woman places her left foot forward and shifts her weight to the
right leg in the rear the front of her left shoulder will be closest to the
camera and her body will be facing the key light more or less squarely (i.e.
broad lighting). This will place a great deal of light on her clothing but it
will be at a relatively flat lighting angle which will diminish detail. If the
woman switches her feet and shoulder positions with the right shoulder forward
and higher the angle of light on the clothing will be more acute (i.e., short
lighting) which will be less bright, but emphasize detail such as bead work on a
wedding gown. Which looks best depends a number of different factors so the
best advice is to try both and let your eye decide. Large and older women may
look better if posed more like a man with their heads more squared and centered
relative to the shoulders.
Once you decide which foot and shoulder to put forward simply turn and
tip her chin toward the higher shoulder. Watch the side of her neck. If you see
the cord-like muscle on the side of her neck (i.e., the sterno cleido mastoid)
portrude her head is turned too far. Use a camera position that is 6-8 inches
higher than her eyes.
When the hands are in the picture, position them so their edge rather
than the broad and bright palms or backs are facing the camera and the fingers
are curved rather than straight. A good way to pose a bride with close-up with
flowers is to start by having the bride, without the flowers, place her hands
together in a praying pose then slide the fingers of the upper hand down to the
middle of the lower hand's upturned palm. The hands and arms will fall into
place perfectly. Once the hands are posed, insert the flowers. Use the same
technique in full length photos, but start with the hands down below the
waistline.
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